Décrit comme un cabaret brechtien à l'humour très noir, comme une fusion punk entre le burlesque des années 1930, le music hall anglais ou encore comme le chaînon manquant entre Tom Waits et les Monty Python, les Tiger Lillies sont inclassables.
Leur style s'inspire de la chanson française d'après guerre, de la musique gitane ou encore de l'opéra italien… La voix de haute-contre de Martyn Jaques est capable de s’aventurer aussi bien dans les graves que dans les aigues avec un timbre guttural permettant au chanteur de jouer sur la multiplicité des personnages. Le groupe tire son inspiration d’artistes comme Jacques Brel, Edith Piaf, Marlene Dietrich, Billie Holiday, Johnny Cash ou Enrico Caruso. Maurice Ravel ou encore Erik Satie ne renieraient pas leur musique.
Les Tiger Lillies évoluent dans un univers singulier où le macabre rigolard jongle avec le sordide, où l'humour noir flirte avec la figure la plus triste de l'existence. Leurs chansons content des récits de bas-fonds où la brutalité côtoie la prostitution et les blasphèmes en tout genre, les losers magnifiques et les monstres les plus étranges.
The Tiger Lilles est composé de Martyn Jacques, Adrian Stout et Jonas Golland.
The Tiger Lillies were formed in 1989 and as the decades go by their sound remains one of the most unique and original things one could come across. Martyn Jacques, the band's front man, songwriter and founder, spent most of his twenties in a flat above a brothel in London's Soho, peeping through his window at the buzz of Soho’s lowlife. It took him a good ten years to turn that strange world into art, while training as a singer and songwriter. In 1989 he got his first accordion and The Tiger Lillies were formed shortly after.
The Tiger Lillies stood out immediately for their distinct sound and style and worked their way up from London pubs to the Piccadilly Theatre and buskers’ benches to the Sydney Opera House. Soon the The Tiger Lillies were touring the world giving concerts and participating in various art and theatre projects. A couple of the many highlights in their career was the Olivier Award they won for the cult hit musical Shockheaded Peter and the Grammy nomination for their album The Gorey End. Within the last two decades The Tiger Lillies have been doing an average of over 200 gigs a year and despite spending so much time on the road they have managed to also release more than one album a year (total number is somewhere around 30, but who is counting?). They have participated in numerous shows all over the world, collaborating with artists of all disciplines: from circus performers to Shakespearean actors, experimental dancers to avant garde photographers and burlesque puppeteers to classical music ensembles.
The world of The Tiger Lillies is dark, peculiar and varied, with moments of deep sadness, cruel black humour and immense beauty. This unique « anarchic Brechtian street opera trio » tours the world playing songs about « anything that doesn’t involve beautiful blonde girls and boys running at the meadow » to quote their founder Martyn Jacques. Hence, their songs cover all the dark aspects of life, from prostitution and drug addiction to violence and despair. Always with a touch of twisted humor and sharp irony The Tiger Lillies « point an implicit accusing finger back at us: what on Earth are we doing, laughing at this stuff? ». Their music is a mixture of pre-war Berlin cabaret, anarchic opera and gypsy music, echoing the voices of Bertolt Brecht and Jacques Brel. The Tiger Lillies shock, amuse and entertain in a postmodern vaudeville way, with their inimitable in-yer-face shows, where no limit should be taken for granted.
The Tiger Lillies consist of Martyn Jacques, Adrian Stout and Jonas Golland
Over the course of a stellar career that has spanned more than 30 years, saxophonist Kenny Garrett has become the preeminent alto saxophonist of his generation. From his first gig with the Duke Ellington Orchestra (led by Mercer Ellington) through his time spent with musicians such as Freddie Hubbard, Woody Shaw, Art Blakey & The Jazz Messengers and Miles Davis, Garrett has always brought a vigorous yet melodic, and truly distinctive, alto saxophone sound to each musical situation. As a bandleader for the last two decades, he has also continually grown as a composer. With his latest recording (and second for Mack Avenue Records), Seeds From The Underground, Garrett has given notice that these qualities have not only become more impressive, but have provided him with the platform to expand his horizons and communicate his musical vision clearly. Seeds From The Underground is a powerful return to the straight-ahead, acoustic and propulsive quartet format that showcases Garrett’s extraordinary abilities.